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Fura Ha Wa Ta I Pata by Madaraka Mada | Neume
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Fura Ha Wa Ta I Pata
Madaraka Mada
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| C | F | G | C | Mélodie : Wa vu na ji wa ta fu ra hi C D E F G A G E Pa le wa ta ka po ru di E G F E D C D E Wa ki ya le ta ma vu no E F G A G E F E Ku le Ye ru sa le mu E G F E D C | C | F | G | C | | F | G | C | C | Fu ra ha wa ta i pa ta E G G A G F E D Fu ra ha ha ta mi le le E G G A G F E D Fu ra ha wa ta i pa ta E G G A G F E D Wa ka ti wa ma vu no E F G A G E F E | C | F | G | C | | F | G | C | C | Na si ku i le tu ta im ba C D E F G A G E Ku m shu ku ru na ku m si fu E G F E D C D E Bwa na Ye su Ju m be we tu E F G A G E F E Ku le Ye ru sa le mu E G F E D C Wa vu na ji wa ta fu ra hi C D E F G A G E Ma ka o ni mwa mi le le E G F E D C D E Ya li yo we kwa ta ya ri E F G A G E F E Ku le Ye ru sa le mu E G F E D C Fu ra ha wa ta i pa ta E G G A G F E D Fu ra ha ha ta mi le le E G G A G F E D Fu ra ha wa ta i pa ta E G G A G F E D Wa ka ti wa ma vu no E F G A G E F E (C – longue blanche finale) | C | F | G | C | | F | G | C | C | Classic African Gospel Hymn (Swahili) — “Wavunaji Watafurahi”. Follow exactly the rhythm and melody from the original hymn score (Key C major, tempo 120 BPM, 4/4). Keep a traditional church arrangement with piano, pipe organ, soft strings, and light bass — no drums. The feel must be warm, devotional, and peaceful (Sunday service atmosphere). VOCALS: - Verses: sung by a gentle female lead voice, choir softly behind (oooh, aaah). - Refrain (“Furaha wataipata”): all voices join together in full harmony (duno). Men and women in SATB balance (Soprano, Alto, Tenor, Bass). The choir should sound unified and bright, not loud. - Choir continues “oooh” textures after the refrain until the next verse. - Keep breathing space between each verse and refrain. STRUCTURE: - Intro: 4 bars piano and organ (C–F–G–C progression). - Verse 1 (solo): same melody as in the score (bars 1–6). - Refrain (duno): all voices, strong harmony (bars 7–12). - Verse 2 (solo), same rhythm and melody. - Refrain (duno) again, identical structure. - Verse 3 (solo), ending with final refrain (duno) slightly slower and emotional (ritardando). - Outro: sustained final chord (C major) held 4 beats, fade naturally. HARMONIC GUIDE: Verse chords: | C | F | G | C | F | G | C | Chorus chords: | C | F | G | C | F | G | C | Add soft passing chords (Am, Dm) for smooth movement. MIX: - Piano clear and dominant. - Organ and strings soft behind. - Solo voice centered, choir wide stereo. - Warm church reverb. - No percussion, no clap, no synthetic beat. LANGUAGE: Swahili (RDC, clear African pronunciation).
Lyrics
(Instrumental: 4 bars piano and organ, C–F–G–C progression)
Wa vu na ji wa ta fu ra hi
Pa le wa ta ka po ru di
Wa ki ya le ta ma vu no
Ku le Ye ru sa le mu
Fu ra ha wa ta i pa ta
Fu ra ha ha ta mi le le
Fu ra ha wa ta i pa ta
Wa ka ti wa ma vu no
Na si ku i le tu ta im ba
Ku m shu ku ru na ku m si fu
Bwa na Ye su Ju m be we tu
Ku le Ye ru sa le mu
Wa vu na ji wa ta fu ra hi
Ma ka o ni mwa mi le le
Ya li yo we kwa ta ya ri
Ku le Ye ru sa le mu
Fu ra ha wa ta i pa ta
Fu ra ha ha ta mi le le
Fu ra ha wa ta i pa ta
Wa ka ti wa ma vu no
(C major sustained final chord, held 4 beats, fade naturally)
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