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Next Level Crush by yunhee soh | Neume
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Next Level Crush
yunhee soh
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The tempo is approximately 70-75 BPM and the rhythm must be swung (or shuffled) to achieve the R&B bounce, instead of a straight, rigid 4/4 time.InstrumentRole in the BeatPattern (per 4/4 measure)Kick DrumProvides the subtle foundation.Hits heavily on 1 and lightly on the 2-and and 3-and. (Drives the slow pulse.)Snare DrumProvides the signature snap and backbeat.Hits precisely on 2 and 4. Snare tone is short, wet (with reverb), and prominent.Hi-HatsProvides the essential swing/groove.Plays a triplet-based subdivision, usually on the 1-e-a, 2-e-a, etc., with emphasis on the 'a' of beat 1 and the 'e' of beat 3 to create that lazy, swung feel.Sine BassProvides smoothness and depth.Plays a simple, sustained half-note or whole-note pattern, often hitting the root note on 1 and the 5th on 3, ensuring the movement is fluid and not choppy.That's a great idea! Adding the musical theory will complete the song package and solidify that Y2K R&B vibe.Here is the suggested chord progression and rhythmic breakdown for "Next Level Crush."🎶 "Next Level Crush" - Musical Theory Breakdown1. Chord Progression (The Lush Synth Pad)The entire song relies on a smooth, slightly melancholy minor-key loop, characteristic of early 2000s R&B ballads. The sequence uses Roman numerals in the key of E-flat Major ($E\flat$), but centers around the relative minor, C minor ($Cm$). This creates the dreamy, introspective mood.SectionChord Progression (Key of E♭ Major)Roman NumeralsNotes on SoundVerse$Cm \rightarrow A\flat \rightarrow E\flat \rightarrow B\flat$$vi \rightarrow IV \rightarrow I \rightarrow V$Standard pop progression, starting and ending on the minor for a melancholic tension.Pre-Chorus$A\flat \rightarrow B\flat \rightarrow Gm \rightarrow Cm$$IV \rightarrow V \rightarrow iii \rightarrow vi$Builds harmonic tension toward the release of the Chorus.Chorus$E\flat \rightarrow B\flat \rightarrow Cm \rightarrow A\flat$$I \rightarrow V \rightarrow vi \rightarrow IV$The most harmonically satisfying section; resolves to the Major ($E\flat$) for the main hook.Bridge$A\flat \rightarrow Gm \rightarrow Cm \rightarrow Fm$$IV \rightarrow iii \rightarrow vi \rightarrow ii$The addition of the minor $ii$ (Fm) deepens the introspection and builds tension before returning to the final Chorus.
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